Area di ricerca: COLLANA
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| 1. |  € 55,00 | EAN-13: 9788021097094 I. Foletti
Transformed by Emigration. Welcoming Russian Intellectuals, Scientists and Artists (1917?1945)
| Edizione: | Brepols Publishers, 2021 | | Collana: | Convivium Supplementum |
Tempi di rifornimento |
Indicativamente procurabile in 15-20 giorni lavorativi | | Info disponibilità | Rifornimento in corso | | Prezzo di acquisto | € 55,00 | | Descrizione | The thematic framework of this special issue is an examination of the impact Russian émigrés had on the humanities and art. From art history to philosophy, artistic creation to ecumenical dialogue, the volume is dedicated to figures who, through their emigration from Russia, transformed their places of arrival and relevant fields. The articles in the volume assess these topics from an interdisciplinary point of view, extending the usual horizons of Convivium to other fields as well. The volume was published as the proceedings of the conference Transformed by Emigration. Welcoming Russian Intellectuals, Scientists, and Artists 1917?1945 held at the Hans Belting Library in February 2019. |  Aggiungi al Carrello |
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| 2. | € 75,00 | EAN-13: 9788021097100 C. Bordino
Rome on the Borders. Visual Cultures During the Carolingian Transition
| Edizione: | Brepols Publishers, 2021 | | Collana: | Convivium Supplementum |
Tempi di rifornimento |
Indicativamente procurabile in 15-20 giorni lavorativi | | Info disponibilità | Rifornimento in corso | | Prezzo di acquisto | € 75,00 | | Descrizione | Based upon the conference Rome in a Global World: Visual Cultures During theCarolingian Transition (Brno, 14th?15th October 2019), this Supplementum volume of Convivium collects eleven articles that look at Rome?s artistic production in the Carolingian era across historiographical, disciplinary, methodological and geopolitical borders. | Aggiungi al Carrello |
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| 3. | € 75,00 | EAN-13: 9788021098886 M. Studer-Karlen
Georgia as a Bridge between Cultures. Dynamics of Artistic Exchanges
| Edizione: | Brepols Publishers, 2021 | | Collana: | Convivium Supplementum |
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Indicativamente procurabile in 15-20 giorni lavorativi | | Info disponibilità | Rifornimento in corso | | Prezzo di acquisto | € 75,00 | | Descrizione | Introduction: Manuela Studer-Karlen, Georgia as a Bridge between Cultures: Dynamics of Artistic Exchange(introduction to A. Palladino?s translation of H. Belting) ? Ivan Foletti, Belting from Belting. From Moscow to Constantinople, and to Georgia(translation of H. Belting?s article) Adrien Palladino, The Painter Manuel Eugenikos from Constantinople in Georgia, translated from Hans Belting Articles:Ekaterine Gedevanishvili, The Khakhuli Dome DecorationIrene Giviashvili, Liturgy and Architecture: Constantinopolitan Rite and Changes in the Architectural Planning of Georgian ChurchesNato Chitishvili, Altars in Medieval Georgian Churches: Preliminary Notes on their Arrangement, Decoration, and the Rite of ConsecrationThomas Kaffenberger, Liminal Spaces of Memory, Devotion, and Feasting? Porch-Chapels in Eleventh-Century Georgia Manuela Studer-Karlen, The Monastery of the Transfiguration in Zarzma: At the Intersection of Biblical Narration and Liturgical RelevanceIrma Mamasakhlisi, The Theme of the Last Judgment in Medieval Georgian Art (Tenth?Thirteenth Centuries) | Aggiungi al Carrello |
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| 4. | € 75,00 | EAN-13: 9788021099234 I. Jevti?
Spoliation as Translation. Medieval Worlds of the Eastern Mediterranean
| Edizione: | Brepols Publishers, 2021 | | Collana: | Convivium Supplementum |
Tempi di rifornimento |
Indicativamente procurabile in 15-20 giorni lavorativi | | Info disponibilità | Rifornimento in corso | | Prezzo di acquisto | € 75,00 | | Descrizione | The articles gathered in this special issue of Convivium offer a variety of perspectives ? history of medieval art, architecture, literary studies ? that explore the relations between spoliation and translation, with a particular focus on the interconnections and similarities between material/artistic and textual/literary cultures. Building on current research in spolia and translation studies, these contributions respond to the increasing interest in and popularity of these two topics in recent scholarship. A conceptual point of departure is that reuse and translation represent two crucial processes facilitating cultural dialogues and exchanges across time and space. Material and textual spolia fascinate us, because they provide various means and levels of engagement with the past with a tangible form, sometimes of an ambivalent nature. Objects, artefacts, buildings, and texts have been subject to constant reworkings, through which they have been interpreted and translated: old stories gain new significance in new contexts, just as old objects gain new meanings in new settings. The aim of this collection is to foster a better understanding of such processes and, at the same time, of the history of the medieval worlds of the Eastern Mediterranean, which is marked by constant cross-cultural encounters and interactions. | Aggiungi al Carrello |
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| 5. | € 75,00 | EAN-13: 9788021094536 I. Foletti
The Notion of Liminality and the Medieval Sacred Space
| Edizione: | Brepols Publishers, 2020 | | Collana: | Convivium Supplementum |
Tempi di rifornimento |
Indicativamente procurabile in 15-20 giorni lavorativi | | Info disponibilità | Rifornimento in corso | | Prezzo di acquisto | € 75,00 | | Descrizione | The thematic frame of this issue is the anthropological notion of liminality, applied both to physical as well as imaginary places of transition in medieval art. The volume is thus dedicated to the phenomenon of the limen, the threshold in medieval culture, understood mainly as a spatial, ritual and temporal category. The structure of the book follows the virtual path of any medieval visitor entering the sacred space. While doing so, the visitor encountered and eventually crossed several "liminal zones" that have been constructed around a series of physical and mental thresholds. In order to truly access the sacred ? once again both physically and metaphorically ? many transitional (micro)rituals were required and were therefore given particular attention within this volume. The volume was published as proceedings of the Liminality and Medieval Art II conference, which was held in October 2018 at the Masaryk University in Brno. Authors were supposed to conceive their contributions in pairs in order to reflect on the selected topics with an interdisciplinary approach. In the end, the very same pattern was also maintained for the final publication. | Aggiungi al Carrello |
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| 6. | € 75,00 | EAN-13: 9788021087798 A. Murphy
The European Fortune of the Roman Veronica in the Middle Ages
| Edizione: | Brepols Publishers, 2018 | | Collana: | Convivium Supplementum |
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Indicativamente procurabile in 15-20 giorni lavorativi | | Info disponibilità | Rifornimento in corso | | Prezzo di acquisto | € 75,00 | | Descrizione | I. The origins of the fame of the Roman VeronicaHerbert L. Kessler ? Introduction: The Literary Warp and Artistic Weft of Veronica?s ClothZbigniew Izydorczyk ? The Cura Sanitatis Tiberii a Century after Ernst von DobschützRémi Gounelle & Céline Urlacher-Becht ? Veronica in the Vindicta SalvatorisBarry Windeatt ? ?Vera Icon?? The Variable Veronica of Medieval EnglandFederico Gallo ?De sacrosanto sudario Veronicae by Giacomo Grimaldi. Preliminary InvestigationsNigel Morgan ? ?Veronica? Images and the Office of the Holy Face in Thirteenth-Century EnglandII. The devotion and cult of the VeronicaAden Kumler ? Signatis? vultus tui: (Re) impressing the Holy Face before and after the European Cult of the VeronicaRebecca Rist ? Innocent III and the Roman Veronica: Papal pr or Eucharistic Icon?Guido Milanese ? Quaesivi vultum tuum. Liturgy, figura and Christ?s PresenceJörg Bölling ? Face to Face with Christ in Late Medieval Rome. The Veil of Veronica in Papal Liturgy and CeremonyUwe Michael Lang ? Origins of the Liturgical Veneration of the Roman VeronicaIII. The promotion of the Veronica cultGisela Drossbach ? The Roman Hospital of Santo Spirito in Sassia and the Cult of the Vera IconKathryn M. Rudy ? Eating the Face of Christ. Philip the Good and his Physical Relationship with VeronicasÉtienne Doublier ? Sui pretiossisimi vultus Imago: Veronica e prassi indulgenziale nel XIII e all?inizio del XIV secoloMarc Sureda i Jubany ? From Holy Images to Liturgical Devices. Models, Objects and Rituals around the Veronicae of Christ and Mary in the Crown of Aragon (1300?1550)Chiara Di Fruscia ? Datum Avenioni. The Avignon Papacy and the Custody of the VeronicaIV. The spread of the Veronica cultHanneke van Asperen ? ?Où il y a une Veronique attachiée dedens?. Images of the Veronica in Religious Manuscripts, with Special Attention for the Dukes of Burgundy and their FamilyMarco Petoletti & Angelo Piacentini ? The Veronica of Boniface of VeronaStefano Candiani ? The Iconography of the Veronica in the Region of Lombardy: 13th?14th CenturiesRaffaele Savigni ? The Roman Veronica and the Holy Face of Lucca: Parallelism and Tangents in the Formation of their Respective TraditionsRaffaella Zardoni & Emanuela Bossi & Amanda Murphy ? The Iconography of the Roman Veronica. From the Repertoires of Karl Pearson to Veronica Route | Aggiungi al Carrello |
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| 7. | € 75,00 | EAN-13: 9788021083226 I. Foletti
The Medieval South Caucasus. Artistic Cultures of Albania, Armenia and Georgia
| Edizione: | Brepols Publishers, 2016 | | Collana: | Convivium Supplementum |
Tempi di rifornimento |
Indicativamente procurabile in 15-20 giorni lavorativi | | Info disponibilità | Rifornimento in corso | | Prezzo di acquisto | € 75,00 | | Descrizione | The volume serves as an introduction to what its editors have chosen to call the ?artistic cultures? prevalent during the Middle Ages in the region of the South Caucasus. Although far from comprehensive in terms of material, chronology and geography, the volume intends to raise awareness of a region whose artistic wealth and cultural diversity has remained relatively unknown to most medievalists. Stretching from Eastern Anatolia and the Black Sea in the West to the Caspian Sea in the East, and from the snow-capped Great Caucasus mountain range in the north to the Armenian highlands in the south, medieval southern Caucasia was originally divided into the kingdom of Caucasian Albania, Greater and Lesser Armenia, and western and eastern Georgia, that is, the kingdoms of Lazica (Egrisi) and Iberia (Kartli) respectively. Together, these entities made the South Caucasus a true frontier region between Europe and Asia and a place of transcultural exchange. Its official Christianization began as early as in the fourth century, even before Constantine the Great founded Constantinople or had himself been converted to Christianity. During the subsequent centuries, the region became a well-connected and strategic buffer zone for its neighboring and occupant Byzantine, Persian, Islamic, Seljuk and Mongol powers. And although subject to constantly shifting borders, the medieval kingdoms of the South Caucasus remained an internally diverse yet shared and distinct geographical and historical unity. Far from being isolated, these cultures were part of a much wider medieval universe. Because of the transcultural nature and elevated artistic quality of their objects and monuments, they have much to offer the field of art history, which has recently been challenged to think more globally in terms of transculturation, movement and appropriation among medieval cultures. | Aggiungi al Carrello |
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